Friedrich painted over two dozen works that include cemeteries or graves, and the vast majority share at least one of two characteristics: they are either shown in a state of dilapidation and disrepair, or are associated with church buildings, ruined or standing. This contrasts greatly with the general conventions of nineteenth-century cemetery painting, which usually emphasized the beauty and melancholy of the cemetery, rather than its isolation from contemporary society.
The Cemetery Entrance
oil on canvas • 143 × 110 cm