Titian's Venus of Urbino was the inspiration for yesterday's Olympia by Manet, but while Olympia was deliberately scandalous, Venus of Urbino is far less so. While Olympia depicts a courtesan, Titian's work celebrates a less transactional aspect of the Roman goddess of love, which makes it not at all shocking to depict her as a naked, reclining woman. That said, this Venus, with her gently curved neck and languid gaze at the viewer, is still very provocative — and unapologetically erotic. It is thought to have been first purchased by Guidobaldo II della Rovere, Duke of Urbino, possibly to celebrate his marriage. The dog at Venus' feet is a traditional symbol of fidelity (and appears again in Titian's portrait of Eleonora Gonzaga, the duke's mother), while the women in the background sift through a chest of clothes, very possibly a cassone — a chest traditionally given in Italy as a wedding present.
Venus of Urbino
oil on canvas • 119 x 165 cm