oil on canvas • 60 х 49 cm
The Weeping Woman series is regarded as a thematic continuation of the tragedy depicted in Picasso's epic painting Guernica. In focusing on the image of a woman crying, the artist was no longer painting the effects of the Spanish Civil War directly, but rather referring to a singular universal image of suffering. Picasso's insistence that we imagine ourselves into the excoriated face of this woman, into her dark eyes, was part of his response to seeing newspaper photographs of the Luftwaffe's bombing of Guernica on behalf of Franco in the Spanish civil war on April 26, 1937. The Weeping Woman, 1937 came at the end of the series of paintings, prints and drawings that Picasso made in protest. The model for the painting, indeed for the entire series, was Dora Maar, who was working as a professional photographer when Picasso met her in 1936; she was the only photographer allowed to document the successive stages of Guernica while Picasso painted it in 1937.