Gauguin presented himself as an "outlaw" in his self-portrait, which specifically alludes to the noble character of Jean Valjean in Victor Hugo's novel Les Misérables. The bold lines of the figure and the vivid colors of the flowered wallpaper manifest Gauguin’s interest in "an abstract, symbolic style."
Van Gogh, however, was disappointed when he received Gauguin’s self-portrait, believing that it expressed torment while failing to offer any hope or consolation. He even suggested to his brother Theo that the troubled Gauguin would benefit from a stay in the reinvigorating environment of Arles.
Self-portrait with Émile Bernard
oil on canvas • 45 × 55 cm