Manohar
In this painting, Emperor Jahangir appears seated under an ornate canopy or shamiana as he is served food and drink by two of his sons, Khusrau and Parviz. Two other attendants are flanking the shamiana and a young page stands behind the Emperor's throne holding a flywhisk. The setting is a garden; Mughal gardens, like Mughal arts and architecture, were carefully planned creations of wonder! There are ducks in the fountain and birds on branches on what appears to be an overcast day. The painting is also rich with detailed patterns on the clothes, the shamiana, the carpets and the ornate border. Below Jahangir's feet is the name of the painter, Manohar.
Mughal emperors encouraged the creation of lifelike portraits, not only of themselves but also of members of their court. All five figures in this painting are rendered in the usual style of Mughal portraiture, with their bodies in three-quarter view and their heads in full profile.
Manohar's father Basawan was a master painter in the Mughal atelier, where Manohar grew up. His father most likely instructed him, and later Manohar became a court painter as well. He first served in the court of Akbar before joining the service of his son, Jahangir. Manohar was noted for his outstanding manuscript illustrations, portraits, and animal studies. His works frequently depicted the royal family and life at court. He made at least ten portraits of Jahangir.
- Maya Tola
P.S. Get to know more on the miniature paintings of the Mughal Empire here!