Lady in a Fur Wrap

This is one of the most beautiful portraits of a woman in Western art history—in my opinion, of course! For over a century, scholars have debated its authorship. It was believed to be the work of El Greco, however the latest research and detailed analysis have shed fresh light on the painting's origins. The research has led to the reattribution of this renowned 16th-century portrait to Alonso Sánchez Coello, a prominent Spanish artist.

A comprehensive technical examination was conducted when the painting was loaned to the Prado in 2014 to celebrate El Greco’s death anniversary. Researchers could study the painting's layers in detail using a wide array of scientific techniques—such as X-radiography, infrared reflectography, and microscopic paint analysis. Further analysis in 2018 by the University of Glasgow and Bern University of Applied Sciences reinforced these findings. The investigation shows that the materials and techniques used in this painting align with 16th-century Spanish practices but differ significantly from those seen in works by El Greco, especially in the priming layers and underdrawing techniques.

Sánchez Coello was a leading portraitist at the court of Philip II and was highly regarded in his time. This reattribution restores his international reputation, which El Greco had overshadowed due to the misattribution. Further research into the stylistic elements, such as the Lady’s attire and jewelry, and the social status of portrait subjects during this period, supported the conclusion that Lady in a Fur Wrap is a work of intimacy and beauty, reflective of Sánchez Coello’s skill in portraying both formal and informal subjects. This remarkable portrait will continue to inspire and intrigue future generations.

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