Undergrowth with Two Figures

In May 1890 Vincent van Gogh left the asylum at Saint-Rémy for Auvers-sur-Oise, a small village north of Paris which he described as “Edenic.” On July 27 he shot himself, dying two days later. The myth of the suffering artist, whose madness enabled him to transcend the limitations of art, has colored perceptions of him ever since. Van Gogh himself noted that bouts of madness only spurred him to work during his periods of sanity; during his final months at Auvers he painted nearly one canvas a day. In a letter to his younger brother, Theo, dated June 30, 1890, van Gogh explained the structure and brilliant colors of "Undergrowth with Two Figures": “The trunks of the violet poplars cross the landscape perpendicularly like columns,” adding “the depth of Sous Bois is blue, and under the big trunks the grass blooms with flowers in white, rose, yellow, and green.” Concealed amid the lush carpet of grass and flowers and a proliferation of slender tree trunks, two lovers reiterate the theme of nature’s fecundity. Van Gogh explored the artistic possibilities of this panoramic format in several of his last paintings. -- For over three years, we are delivering art to more than 250.000 every day. We need $15.000 to create new version of DailyArt with new features and extra content. On this website you will find more details and help us: http://support.getdailyart.com. Thank you!