Lilith by John Collier - 1892 - - The Atkinson Lilith by John Collier - 1892 - - The Atkinson

Lilith

oil on canvas • -
  • John Collier - January 27, 1850 - April 11, 1934 John Collier 1892
Lilith is a Hebrew name for a figure in Jewish mythology, developed earliest in the Babylonian Talmud, who is generally thought to be in part derived from a historically far earlier class of female demons Līlīṯu in Mesopotamian Religion, found in Cuneiform texts of Sumer, Akkad, Assyria and Babylonia. The Hebrew term Lilith or "Lilit" (translated as "night creatures", "night monster", "night hag", or "screech owl") first occurs in Isaiah 34:14. In the Dead Sea Scrolls Songs of the Sage the term first occurs in a list of monsters. In Jewish magical inscriptions on bowls and amulets from the 6th century CE onwards, Lilith is identified as a female demon and the first visual depictions appear. In Jewish folklore, from the 8th–10th century Alphabet of Ben Sira onwards, Lilith becomes Adam's first wife, who was created at the same time (Rosh Hashanah) and from the same earth as Adam. This contrasts with Eve, who was created from one of Adam's ribs. The Pre-Raphaelite Brotherhood (to which Collier has been connected) developed around 1848, were greatly influenced by Goethe's work on the theme of Lilith. In 1863, Dante Gabriel Rossetti of the Brotherhood began painting what would later be his first rendition of Lady Lilith, a painting he expected to be his "best picture hitherto" Symbols appearing in the painting allude to the "femme fatale" reputation of the Romantic Lilith: poppies (death and cold) and white roses (sterile passion).