Rossetti completed the sonnet entitled La Bella Mano, In English The Beautiful Hand a year after the painting, suggesting the visual representation may have been the inspiration for the poem. The two stanzas which appear on the frame are in Italian, a language in which Rossetti was fluent from an early age.
The sonnet states:
O lovely hand, that thy sweet self doth lave
In that thy pure and proper element,
Whence erst the Lady of Love high advènt
Was born […]
In royal wise ring-girt and bracelet-spann’d,
A flower of Venus’s own virginity,
Go shine among thy sisterly sweet band;
In maiden-minded converse delicately
Evermore white and soft; until thou be,
O hand! heart-handsel’d in a lover’s hand.
As in many of Rossetti’s late works, the composition is lacking in narrative. Instead it is an image of the personification of love—a Venus assisted by her winged attendants. The canvas is rich in details all contributing to the theme of love—both spiritual and earthly—as represented in the central figure. An abundance of symbols reinforce the theme, including the scallop shell, recalling the sea-birth of Venus. The effect of a halo is created by the convex mirror showing the bed, which entices a present or future lover.