Goya became a court painter to the Spanish Crown in 1786; this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons designed for the royal palace. Today we present a good example of such a portrait. If you're an avid DailyArt reader you've probably spotted why we present this particular portrait: BECAUSE OF THE CATS! :D
Outfitted in a splendid red costume, the son of the Count and Countess of Altamira is shown between a cage of finches and three wide-eyed cats who appear captivated by the boy’s pet magpie. In its beak the magpie holds Goya’s calling card and signature. Goya may have intended this cast of animals as a reminder of the frail boundaries that separate the child’s world from the forces of evil, or as a commentary on the fleeting nature of innocence and youth. Manuel died only a few years after his portrait was painted, at the age of eight.
My cat Pimpek looks at birds with the same crazy gaze. :D Have a great Wednesday and check our great selection of 15 cats in art history that every cat lover would love here! <3
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