Tudor St George Tucker was an English painter who moved to Australia for health reasons when he was nearly 20. He was best known for his landscapes and portraits of women. By the time he was 30, he was co-running the Melbourne School of Art. Emphasizing live model drawing, outdoor painting, and the use of bright colors applied broadly and rapidly, these artists provided a popular alternative to the conventional teaching of the National Gallery School.
The painting we present today, was created soon after Tudor St George Tucker returned to Europe in 1899. This work departs from Australian themes with its distinct color palette. Tucker freely used white paint and employed a brushy, gestural technique to define textures and forms, capturing the effects of light and shade in a domestic scene. The enclosed courtyard garden’s towering cream walls cut out the sky, contrasting with the vivid green clumps of nasturtiums and climbing plants. Sunlight dapples through unseen foliage, adding movement and immediacy to the composition. A brightly lit diagonal path leads the eye to two figures in the middle distance, each defined by its own space. Posed in the tradition of 19th-century academic painting, a woman leans against a doorway while an older man in brown smokes while seated. Dominated by luminous shadows, sunlight, and the mass of nasturtiums, their apparent lack of communication conveys a sense of separation and sadness.
P.S. Have you ever heard about Australian Impressionism? Yes, that movement was popular down under as well!
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