The triptych is painted in oil on oak and is formed from a square middle panel flanked by two other oak rectangular wings that close over the center as shutters. The outer wings, when folded, show a grisaille painting of the earth during the biblical narrative of Creation. The three scenes of the inner triptych are probably (but not necessarily) intended to be read chronologically from left to right. The left panel depicts God presenting Eve to Adam, the central panel is a broad panorama of socially engaged nude figures, fantastical animals, oversized fruit and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation. Art historians and critics frequently interpret the painting as a didactic warning on the perils of life's temptations. However, the intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries. Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of paradise lost. American writer Peter S. Beagle describes it as an "erotic derangement that turns us all into voyeurs, a place filled with the intoxicating air of perfect liberty".
The Garden of Earthly Delights
oil on panel • 220 x 390 cm