The following report appeared in the Arles journal Le Forum Republicain on December 30, 1888: “Last Sunday, at 11:30 in the evening, Vincent Vaugogh [sic], a painter of Dutch origin, called at the Brothel No. 1, asked for a woman called Rachel and handed her … his ear, saying: 'Guard this object with your life'. Then he disappeared. When informed of the action, which could only be that of a pitiful madman, the police went the next day to his house and discovered him lying on his bed apparently at the point of death. The unfortunate man has been rushed to hospital.” Accounts of what took place that night vary.
Whatever the exact circumstances, though, whatever underlying motivations could have compelled van Gogh to do it, the episode effectively put an end to one of the most famous working relationships in the history of art, as Paul Gauguin boarded the train to Paris the next day. For nine weeks they had lived together sharing lodgings in the Yellow House, just outside the old town walls of Arles in the South of France, spurring each other on as collaborators and as rivals too. The dream had been to set up “a studio in the South,” as van Gogh put it, a community of artists, with himself and Gauguin, the founding fathers, all working in harmony with nature and, as he hoped, with each other.