Gao Jianfu
Chinese art has arguably the oldest continuous tradition in the world and is marked by an unusual degree of continuity within and consciousness of that tradition, lacking an equivalent to the Western collapse and gradual recovery of classical styles. Today in the "Wednesday Thought's on Art" we want to present Chinese art for the very first time. This series of four paintings form an early masterpiece by Gao Jianfu, completed in 1905 when he was twenty-seven. The two panels on either side feature peonies and Chinese trumpet creepers respectively, while the two in the middle feature a melon with flowers and a lotus - two subjects that were to become Gao's favourites throughout his artistic career. Gao has used well-known techniques of 'zhuangshui', or 'water infusion method', and 'zhuangfen', or 'pigment infusion method' but has added some of his own style to give the vegetation a vivid, three-dimensional quality. The fish in the water and the reflection of the moon on the water also stand out through the application of washes for visual depth and hence, realism. Note the displacement of the four frames: the movement of the stems and tendrils, the treatment of space, and the refreshing style of the layout which distinguishes him from his predecessors. This series already points to the artistic direction that he was about to take. On three of the panels, Gao has applied the signature 'Gao Lun', a new name that he was to use in all of his future artworks in place of his former signatures. It was a significant gesture that suggests his determination to implement change.
- Artur Dionisio